Thursday, June 18, 2009
Saturday, May 2, 2009
Thoughts on suicide
Chesterton's thoughts on suicide.
Under the lengthening shadow of Ibsen, an argument arose whether it was not a very nice thing to murder one's self. Grave moderns told us that we must not even say "poor fellow," of a man who had blown his brains out, since he was an enviable person, and had only blown them out because of their exceptional excellence. Mr. William Archer even suggested that in the golden age there would be penny-in-the-slot machines, by which a man could kill himself for a penny. In all this I found myself utterly hostile to many who called themselves liberal and humane. Not only is suicide a sin, it is the sin. It is the ultimate and absolute evil, the refusal to take an interest in existence; the refusal to take the oath of loyalty to life. The man who kills a man, kills a man. The man who kills himself, kills all men; as far as he is concerned he wipes out the world. His act is worse (symbolically considered) than any rape or dynamite outrage. For it destroys all buildings: it insults all women. The thief is satisfied with diamonds; but the suicide is not: that is his crime. He cannot be bribed, even by the blazing stones of the Celestial City. The thief compliments the things he steals, if not the owner of them. But the suicide insults everything on earth by not stealing it. He defiles every flower by refusing to live for its sake. There is not a tiny creature in the cosmos at whom his death is not a sneer. When a man hangs himself on a tree, the leaves might fall off in anger and the birds fly away in fury: for each has received a personal affront. Of course there may be pathetic emotional excuses for the act. There often are for rape, and there almost always are for dynamite. But if it comes to clear ideas and the intelligent meaning of things, then there is much more rational and philosophic truth in the burial at the cross-roads and the stake driven through the body, than in Mr. Archer's suicidal automatic machines. There is a meaning in burying the suicide apart. The man's crime is different from other crimes -- for it makes even crimes impossible.
About the same time I read a solemn flippancy by some free thinker: he said that a suicide was only the same as a martyr. The open fallacy of this helped to clear the question. Obviously a suicide is the opposite of a martyr. A martyr is a man who cares so much for something outside him, that he forgets his own personal life. A suicide is a man who cares so little for anything outside him, that he wants to see the last of everything. One wants something to begin: the other wants everything to end. In other words, the martyr is noble, exactly because (however he renounces the world or execrates all humanity) he confesses this ultimate link with life; he sets his heart outside himself: he dies that something may live. The suicide is ignoble because he has not this link with being: he is a mere destroyer; spiritually, he destroys the universe. And then I remembered the stake and the cross-roads, and the queer fact that Christianity had shown this weird harshness to the suicide. For Christianity had shown a wild encouragement of the martyr. Historic Christianity was accused, not entirely without reason, of carrying martyrdom and asceticism to a point, desolate and pessimistic. The early Christian martyrs talked of death with a horrible happiness. They blasphemed the beautiful duties of the body: they smelt the grave afar off like a field of flowers. All this has seemed to many the very poetry of pessimism. Yet there is the stake at the crossroads to show what Christianity thought of the pessimist.
This was the first of the long train of enigmas with which Christianity entered the discussion. And there went with it a peculiarity of which I shall have to speak more markedly, as a note of all Christian notions, but which distinctly began in this one. The Christian attitude to the martyr and the suicide was not what is so often affirmed in modern morals. It was not a matter of degree. It was not that a line must be drawn somewhere, and that the self-slayer in exaltation fell within the line, the self-slayer in sadness just beyond it. The Christian feeling evidently was not merely that the suicide was carrying martyrdom too far. The Christian feeling was furiously for one and furiously against the other: these two things that looked so much alike were at opposite ends of heaven and hell. One man flung away his life; he was so good that his dry bones could heal cities in pestilence. Another man flung away life; he was so bad that his bones would pollute his brethren's.
Under the lengthening shadow of Ibsen, an argument arose whether it was not a very nice thing to murder one's self. Grave moderns told us that we must not even say "poor fellow," of a man who had blown his brains out, since he was an enviable person, and had only blown them out because of their exceptional excellence. Mr. William Archer even suggested that in the golden age there would be penny-in-the-slot machines, by which a man could kill himself for a penny. In all this I found myself utterly hostile to many who called themselves liberal and humane. Not only is suicide a sin, it is the sin. It is the ultimate and absolute evil, the refusal to take an interest in existence; the refusal to take the oath of loyalty to life. The man who kills a man, kills a man. The man who kills himself, kills all men; as far as he is concerned he wipes out the world. His act is worse (symbolically considered) than any rape or dynamite outrage. For it destroys all buildings: it insults all women. The thief is satisfied with diamonds; but the suicide is not: that is his crime. He cannot be bribed, even by the blazing stones of the Celestial City. The thief compliments the things he steals, if not the owner of them. But the suicide insults everything on earth by not stealing it. He defiles every flower by refusing to live for its sake. There is not a tiny creature in the cosmos at whom his death is not a sneer. When a man hangs himself on a tree, the leaves might fall off in anger and the birds fly away in fury: for each has received a personal affront. Of course there may be pathetic emotional excuses for the act. There often are for rape, and there almost always are for dynamite. But if it comes to clear ideas and the intelligent meaning of things, then there is much more rational and philosophic truth in the burial at the cross-roads and the stake driven through the body, than in Mr. Archer's suicidal automatic machines. There is a meaning in burying the suicide apart. The man's crime is different from other crimes -- for it makes even crimes impossible.
About the same time I read a solemn flippancy by some free thinker: he said that a suicide was only the same as a martyr. The open fallacy of this helped to clear the question. Obviously a suicide is the opposite of a martyr. A martyr is a man who cares so much for something outside him, that he forgets his own personal life. A suicide is a man who cares so little for anything outside him, that he wants to see the last of everything. One wants something to begin: the other wants everything to end. In other words, the martyr is noble, exactly because (however he renounces the world or execrates all humanity) he confesses this ultimate link with life; he sets his heart outside himself: he dies that something may live. The suicide is ignoble because he has not this link with being: he is a mere destroyer; spiritually, he destroys the universe. And then I remembered the stake and the cross-roads, and the queer fact that Christianity had shown this weird harshness to the suicide. For Christianity had shown a wild encouragement of the martyr. Historic Christianity was accused, not entirely without reason, of carrying martyrdom and asceticism to a point, desolate and pessimistic. The early Christian martyrs talked of death with a horrible happiness. They blasphemed the beautiful duties of the body: they smelt the grave afar off like a field of flowers. All this has seemed to many the very poetry of pessimism. Yet there is the stake at the crossroads to show what Christianity thought of the pessimist.
This was the first of the long train of enigmas with which Christianity entered the discussion. And there went with it a peculiarity of which I shall have to speak more markedly, as a note of all Christian notions, but which distinctly began in this one. The Christian attitude to the martyr and the suicide was not what is so often affirmed in modern morals. It was not a matter of degree. It was not that a line must be drawn somewhere, and that the self-slayer in exaltation fell within the line, the self-slayer in sadness just beyond it. The Christian feeling evidently was not merely that the suicide was carrying martyrdom too far. The Christian feeling was furiously for one and furiously against the other: these two things that looked so much alike were at opposite ends of heaven and hell. One man flung away his life; he was so good that his dry bones could heal cities in pestilence. Another man flung away life; he was so bad that his bones would pollute his brethren's.
Monday, December 1, 2008
Thoughts on Parenthood
On the First Things site Joseph Bottum tells a story of his childhood Thanksgivings. This one, when he was 14, tells of how his Aunt taught him about the cost of being a father.
I am not a father, but this seems to be a piece of wisdom.
I can’t remember exactly which unfairness so infuriated me the Thanksgiving I was fourteen. It may have been my parents’ refusal to let me hitchhike to Rapid City over Christmas vacation. Somewhere in those days I had read Nikos Kazantzakis’ Report to Greco—like Thomas Wolfe’s Look Homeward, Angel, one of the great books that can be read only at a certain age—and I had become infatuated with Kazantzakis’ description of the time he had gone off to the mountains to isolate himself, taking along only the Bible and Homer to read. My grandparents had a cabin up in the Black Hills where I wanted to spend Christmas by myself in the snow—and my parents wouldn’t allow it, for reasons that now are obvious but then seemed raw oppression.
So I responded the way adolescents always respond: glowering, sniping away in sarcastic comments, affecting exhaustion, being unpleasant (in the way only fourteen-year-olds can be unpleasant) to my sisters, to my parents, and, that Thanksgiving, to everyone in the family. It must have been around two or three in the afternoon, while I was mocking my little sister for wanting me to play a game with her or sneering at the food my mother and grandmother were preparing. With a sudden growl, Aunt Eleanor rose from the living-room couch to glare at me for a moment over her glasses.
“Stop that at once and come with me,” she commanded, picking up her coat and stalking out the door. She was the kind of person who never looked back to see whether her orders were being followed. It may have been something in her face, or the ramrod straight way she held herself, or the absolute confidence she had that no one would refuse her, but everyone obeyed Aunt Eleanor.
I found her in front, with the car running, and she took me in silence down to the river, below the dam, where the Missouri runs in open water all winter between its cold banks. The defroster blew up against the windshield, barely keeping out the cold as the car idled, and I waited and waited, hunched in protest, dreading the lecture I was sure she was about to give. But she sat there for a long while, looking out at the river, minute after minute, until at last she sighed and began:
“You know Waller Johnson, don’t you? The rancher from out toward Philips. Your father has done some work for him, over the years. Lord, I remember Waller when he was young, a big, good-looking boy off the range. Your great-grandfather brought him to Pierre, found him a place to stay during the school year—partly so he could finish high school, but mostly, I think, so he could play baseball and Pierre could beat Yankton. Charlie loved baseball.
“I want to tell you a story about Waller Johnson. Back in the early 1930s, his mother and father died, the mortgage payments stopped, and the Land Bank repossessed the ranch. Waller must have been eighteen or nineteen, in those days. Somehow, he talked the Land Bank into letting him try to bring the herd to market. We gave him what help we could, but those were hard times all over, and no one thought he could do it—not with four younger brothers and sisters to feed at the same time.
“But he was a tough young man. He kept the herd together through the winter, fattened up the cattle, sold them, and reclaimed the ranch. Then he put each of his brothers and sisters through school and saw them settled, here and there. Finally Waller settled down himself, marrying a girl named Nancy Trike from, oh, I don’t know—Spearfish, maybe. I remember she was a pretty thing, but thin and a little sickly.
“One winter—it must have been ’42 or ’43, during the war, anyway—their furnace broke down in the middle of a blizzard, and their baby began running a fever.”
Aunt Eleanor watched the cold water as it murmured past, skinned with ice along the edge. “You’re too young to know what it was like in those days,” she said. “Most of the ranches didn’t have electricity. None of them had plumbing. The roads were bad, and the nearest doctor was at the hospital in Pierre, maybe fifty miles away. The adults could have built a fire, cuddled up for warmth, and outlasted the storm. But the baby was sick, and he had no chance to make it through the cold. So Waller and Nancy loaded up the car with blankets and coats they’d warmed in the oven, and started off through the snow to Pierre.
“It took them three, almost four, hours to make that drive. The blizzard was pounding down from the north, swirling across the prairie, the way it does. If they missed the road or slid off into a gully, they would die—not just the baby, but all three of them, left there frozen until somebody came along and found them.
“I want you to picture this—really see it, as clearly as you can: the blinding snow, that old car creeping along the icy road, the sick child wrapped up between them, Waller and Nancy straining to see, rubbing their breath off the windows—knowing they were probably going to be killed, but knowing they had to try.”
“Why didn’t they stay at the ranch?” I asked, growing colder and more confused every minute we sat there in Aunt Eleanor’s car by the river. “I mean, that way, at least two of them would survive. If they really thought they weren’t going to make it, then they were just throwing themselves away.”
“They did really think they weren’t going to make it,” she answered. “But they had to do it anyway. It wasn’t a choice. It wasn’t something to be calculated, weighing their lives against their baby’s. They couldn’t choose their own survival against a chance, however small, of his.”
Aunt Eleanor turned to look at me directly, and her face was hard with something I couldn’t quite understand. “And do you see why? It’s because they were parents. And that’s what it means to be a parent. They had already given up their lives for their child’s, from the first moment he existed.”
She sighed again and looked back out at the river. “In that blizzard, the bill finally came due, and they knew they had to pay it—the way you will pay it, when your time comes. The way your mother and father will pay it, when they have to. That’s what I want you to remember the next time you’re angry with them, the next time you want to scream because they won’t let you do something, the next time you feel as though nobody understands how grown up you’ve become.”
She glanced over at me and smiled, pulling her cloth sleeve up over her hand to wipe the windshield. “Come,” she said, “it’s time to get back home.”
Years later, I came to see my great-aunt’s story as the answer to utilitarianism and the ethics of calculation, the solution to those “lifeboat cases” we were supposed to ponder in freshman philosophy courses. But at the time I knew only that she was trying, in her way, to let me in on the secret, the mystery of adulthood. We turned away from the cold, gurgling river and drove back up the hill to the house on Elizabeth Street. Dinner was just beginning, and the arguments were already starting to swirl around the quarrelsome table. But my father winked at me across the half-carved turkey. And just as I realized how hungry I was, my mother set before me a plate filled with bright orange yams, green beans, the dark drumstick meat I loved, cranberry sauce, sage dressing—the kind of meal a fourteen-year-old boy imagines every meal should be. My parents were happy that Thanksgiving, I think, and why not? They had each other, they had their children, and they had their family, however much it squabbled and fought, gathered around them.
I am not a father, but this seems to be a piece of wisdom.
Tuesday, October 28, 2008
Thoughts on Taxation
Stolen from Parchment and Pen.
Our Tax System Explained: Bar Stool Economics
Suppose that every day, ten men go out for beer and the bill for all ten comes to $100. If they paid their bill the way we pay our taxes, it would go something like this:
The first four men (the poorest) would pay nothing.
The fifth would pay $1.
The sixth would pay $3.
The seventh would pay $7.
The eighth would pay $12.
The ninth would pay $18.
The tenth man (the richest) would pay $59.
So, that’s what they decided to do.
The ten men drank in the bar every day and seemed quite happy with the arrangement, until one day, the owner threw them a curve. ‘Since you are all such good customers,’ he said, ‘I’m going to reduce the cost of your daily beer by $20.’ Drinks for the ten now cost just $80.
The group still wanted to pay their bill the way we pay our taxes so the first four men were unaffected. They would still drink for free.
But what about the other six men - the paying customers? How could they divide the $20 windfall so that everyone would get his ‘fair share?’
They realized that $20 divided by six is $3.33. But if they subtracted that from everybody’s share, then the fifth man and the sixth man would each end up being paid to drink his beer.
So, the bar owner suggested that it would be fair to reduce each man’s bill by roughly the same amount, and he proceeded to work out the amounts each should pay.
And so:
The fifth man, like the first four, now paid nothing (100% savings).
The sixth now paid $2 instead of $3 (33%savings).
The seventh now pay $5 instead of $7 (28%savings).
The eighth now paid $9 instead of $12 (25% savings).
The ninth now paid $14 instead of $18 (22% savings).
The tenth now paid $49 instead of $59 (16% savings).
Each of the six was better off than before. And the first four continued to drink for free. But once outside the restaurant, the men began to compare their savings.
‘I only got a dollar out of the $20,’declared the sixth man. He pointed to the tenth man,’ but he got $10!’
‘Yeah, that’s right,’ exclaimed the fifth man. ‘I only saved a dollar, too.
It’s unfair that he got ten times more than I got’ ‘That’s true!!’ shouted the seventh man. ‘Why should he get $10 back when I got only two? The wealthy get all the breaks!’
‘Wait a minute,’ yelled the first four men in unison. ‘We didn’t get anything at all. The system exploits the poor!’
The nine men surrounded the tenth and beat him up.
The next night the tenth man didn’t show up for drinks so the nine sat down and had beers without him. But when it came time to pay the bill, they discovered something important. They didn’t have enough money between all of them for even half of the bill!
And that, ladies and gentlemen, journalists and college professors, is how our tax system works. The people who pay the highest taxes get the most benefit from a tax reduction. Tax them too much, attack them for being wealthy, and they just may not show up anymore. In fact, they might start drinking overseas where the atmosphere is somewhat friendlier.
Our Tax System Explained: Bar Stool Economics
Suppose that every day, ten men go out for beer and the bill for all ten comes to $100. If they paid their bill the way we pay our taxes, it would go something like this:
The first four men (the poorest) would pay nothing.
The fifth would pay $1.
The sixth would pay $3.
The seventh would pay $7.
The eighth would pay $12.
The ninth would pay $18.
The tenth man (the richest) would pay $59.
So, that’s what they decided to do.
The ten men drank in the bar every day and seemed quite happy with the arrangement, until one day, the owner threw them a curve. ‘Since you are all such good customers,’ he said, ‘I’m going to reduce the cost of your daily beer by $20.’ Drinks for the ten now cost just $80.
The group still wanted to pay their bill the way we pay our taxes so the first four men were unaffected. They would still drink for free.
But what about the other six men - the paying customers? How could they divide the $20 windfall so that everyone would get his ‘fair share?’
They realized that $20 divided by six is $3.33. But if they subtracted that from everybody’s share, then the fifth man and the sixth man would each end up being paid to drink his beer.
So, the bar owner suggested that it would be fair to reduce each man’s bill by roughly the same amount, and he proceeded to work out the amounts each should pay.
And so:
The fifth man, like the first four, now paid nothing (100% savings).
The sixth now paid $2 instead of $3 (33%savings).
The seventh now pay $5 instead of $7 (28%savings).
The eighth now paid $9 instead of $12 (25% savings).
The ninth now paid $14 instead of $18 (22% savings).
The tenth now paid $49 instead of $59 (16% savings).
Each of the six was better off than before. And the first four continued to drink for free. But once outside the restaurant, the men began to compare their savings.
‘I only got a dollar out of the $20,’declared the sixth man. He pointed to the tenth man,’ but he got $10!’
‘Yeah, that’s right,’ exclaimed the fifth man. ‘I only saved a dollar, too.
It’s unfair that he got ten times more than I got’ ‘That’s true!!’ shouted the seventh man. ‘Why should he get $10 back when I got only two? The wealthy get all the breaks!’
‘Wait a minute,’ yelled the first four men in unison. ‘We didn’t get anything at all. The system exploits the poor!’
The nine men surrounded the tenth and beat him up.
The next night the tenth man didn’t show up for drinks so the nine sat down and had beers without him. But when it came time to pay the bill, they discovered something important. They didn’t have enough money between all of them for even half of the bill!
And that, ladies and gentlemen, journalists and college professors, is how our tax system works. The people who pay the highest taxes get the most benefit from a tax reduction. Tax them too much, attack them for being wealthy, and they just may not show up anymore. In fact, they might start drinking overseas where the atmosphere is somewhat friendlier.
Sunday, October 26, 2008
How did you die?
From Thoughts From a Treasured Wretch.
Edmund Vance Cooke (1866-1932)
How Did You Die?
Did you tackle that trouble that came your way
With a resolute heart and cheerful?
Or hide your face from the light of day
With a craven soul and fearful?
Oh, a trouble's a ton, or a trouble's an ounce,
Or a trouble is what you make it,
And it isn't the fact that you're hurt that counts,
But only how did you take it?
You are beaten to earth? Well, well, what's that?
Come up with a smiling face.
It's nothing against you to fall down flat,
But to lie there -- that's disgrace.
The harder you're thrown, why the higher you bounce;
Be proud of your blackened eye!
It isn't the fact that you're licked that counts,
It's how did you fight -- and why?
And though you be done to the death, what then?
If you battled the best you could,
If you played your part in the world of men,
Why, the Critic will call it good.
Death comes with a crawl, or comes with a pounce,
And whether he's slow or spry,
It isn't the fact that you're dead that counts,
But only how did you die?
Other poems from Edmund Cooke here.
Edmund Vance Cooke (1866-1932)
How Did You Die?
Did you tackle that trouble that came your way
With a resolute heart and cheerful?
Or hide your face from the light of day
With a craven soul and fearful?
Oh, a trouble's a ton, or a trouble's an ounce,
Or a trouble is what you make it,
And it isn't the fact that you're hurt that counts,
But only how did you take it?
You are beaten to earth? Well, well, what's that?
Come up with a smiling face.
It's nothing against you to fall down flat,
But to lie there -- that's disgrace.
The harder you're thrown, why the higher you bounce;
Be proud of your blackened eye!
It isn't the fact that you're licked that counts,
It's how did you fight -- and why?
And though you be done to the death, what then?
If you battled the best you could,
If you played your part in the world of men,
Why, the Critic will call it good.
Death comes with a crawl, or comes with a pounce,
And whether he's slow or spry,
It isn't the fact that you're dead that counts,
But only how did you die?
Other poems from Edmund Cooke here.
Friday, October 17, 2008
Saturday, September 20, 2008
Thoughts on the First Cause.
If we accept the position that the universe began to exist then there are two possibilities.
1. That the universe was brought into existence by another.
2. That the universe brought itself into existence.
Option 2. leads us to a violation of the law of non-contradiction as for an object to bring itself into existence requires it to exist (in order to be the bringer) and not exist (in order to be brought) at the same time.
Option 1. does not automatically fail the logical test and so we proceed further.
3. The bringer possesses volition.
4. The bringer possesses no volition but acts as a result of natural processes.
I have difficulties with Option 4. because natural processes themselves arise within the universe. I don't see them leading to the universe. If that is the case then we are in the same boat as option 2.
Option 3. allows for there to be a point at which the universe doesn't exist, before an act of volition brings it into existence.
If the bringer of the universe into existence possesses volition then the bringer probably possesses a degree of consciousness in order to "choose" to bring the universe into existence. If the bringer possesses consciousness then it is likely to be a "being" of some description.
That might need some cleaning up, but I think I have shown that it's reasonable to assume that the cause of the universe is itself a conscious being.
1. That the universe was brought into existence by another.
2. That the universe brought itself into existence.
Option 2. leads us to a violation of the law of non-contradiction as for an object to bring itself into existence requires it to exist (in order to be the bringer) and not exist (in order to be brought) at the same time.
Option 1. does not automatically fail the logical test and so we proceed further.
3. The bringer possesses volition.
4. The bringer possesses no volition but acts as a result of natural processes.
I have difficulties with Option 4. because natural processes themselves arise within the universe. I don't see them leading to the universe. If that is the case then we are in the same boat as option 2.
Option 3. allows for there to be a point at which the universe doesn't exist, before an act of volition brings it into existence.
If the bringer of the universe into existence possesses volition then the bringer probably possesses a degree of consciousness in order to "choose" to bring the universe into existence. If the bringer possesses consciousness then it is likely to be a "being" of some description.
That might need some cleaning up, but I think I have shown that it's reasonable to assume that the cause of the universe is itself a conscious being.
Wednesday, July 23, 2008
Thoughts on New Clothes
Perusing the Internet it is common to find atheists who argue like 15 year old heroin addicts. One such is the provider of an argument that works along the following lines.
However the philosophically competent will instantly see the flaw in this story.
It is begging the question. The storyteller has already decided that the Emperor is naked and therefore the courtiers are delusional but let's look at the story from the theist's perspective.
The Emperor walks naked among his courtiers. They each comment on the surpassing fineness of his imaginary garments until the insightful wise man finally points out that the Emperor is in fact naked. The courtiers then refuse to listen, redoubling their efforts to praise the magnificence of the imaginary clothing.The imagery is obvious. God is supposed to be like the Emperor's new clothes, completely imaginary, and the efforts of His followers to praise him simply the actions of the willfully self deluded.
However the philosophically competent will instantly see the flaw in this story.
It is begging the question. The storyteller has already decided that the Emperor is naked and therefore the courtiers are delusional but let's look at the story from the theist's perspective.
The Emperor walks among his courtiers. His robe trails behind him, a waterfall of velvet and ermine. The polished leather of his boots reflects the faces of his admiring subjects. Each member of his court seeks to outdo the next in heaping superlatives upon his dress. An interruption occurs. An individual clad in the crimson tights of the jester leaps from the audience. "The Emperor is naked" he cries. The court, used to his madness, just smile politely and continue in their praise. "Can you not see?" Says the fool, "the Emperor is quite bare. He wears no clothes to cover his royal nakedness." The people continue to praise but the Emperor's brow becomes a little furrowed. He points a perfectly manicured finger at the capering jester. "Remove him." He commands his guards. With relish the burly men seize the prancing fool and drag him to the tower. "A joke is one thing," the Emperor remarks, "but enough is enough."Simply telling a story is not enough. Anyone (even an atheist) can write a story that conforms to his beliefs. However that does not in any way impact reality. Saying the Emperor is naked does not make him naked. Similarly saying that God does not exist does not make Him non-existent.
Thoughts on Entropy
It was recently brought to my attention that a present atheistic argument against the use of entropy to show that the universe has a beginning and hence a beginner runs something like this.
The point of the argument from entropy is that in a eternally old universe all available energy would be exhausted. There would be no clumps of low entropy because there would be no low entropy.
Only a finite universe with an actual beginning would have these areas of low entropy able to clump.
Areas of low entropy can clump together resulting in a temporary localized inversion of the general trend of the universe towards a point of low energy (high entropy).Forgive me for stating the obvious, but even if this is true it says nothing about how these areas of low entropy come to exist at all.
The point of the argument from entropy is that in a eternally old universe all available energy would be exhausted. There would be no clumps of low entropy because there would be no low entropy.
Only a finite universe with an actual beginning would have these areas of low entropy able to clump.
Thursday, June 19, 2008
The Stranger, Rudyard Kipling
The Stranger within my gate,
He may be true or kind,
But he does not talk my talk--
I cannot feel his mind.
I see the face and the eyes and the mouth,
But not the soul behind.
The men of my own stock,
They may do ill or well,
But they tell the lies I am wanted to,
They are used to the lies I tell;
And we do not need interpreters
When we go to buy or sell.
The Stranger within my gates,
He may be evil or good,
But I cannot tell what powers control--
What reasons sway his mood;
Nor when the Gods of his far-off land
Shall repossess his blood.
The men of my own stock,
Bitter bad they may be,
But, at least, they hear the things I hear,
And see the things I see;
And whatever I think of them and their likes
They think of the likes of me.
This was my father's belief
And this is also mine:
Let the corn be all one sheaf--
And the grapes be all one vine,
Ere our children's teeth are set on edge
By bitter bread and wine.
Kipling was a man who believed peoples could be distinguished between and he let that flow into his poetry as seen here.
He may be true or kind,
But he does not talk my talk--
I cannot feel his mind.
I see the face and the eyes and the mouth,
But not the soul behind.
The men of my own stock,
They may do ill or well,
But they tell the lies I am wanted to,
They are used to the lies I tell;
And we do not need interpreters
When we go to buy or sell.
The Stranger within my gates,
He may be evil or good,
But I cannot tell what powers control--
What reasons sway his mood;
Nor when the Gods of his far-off land
Shall repossess his blood.
The men of my own stock,
Bitter bad they may be,
But, at least, they hear the things I hear,
And see the things I see;
And whatever I think of them and their likes
They think of the likes of me.
This was my father's belief
And this is also mine:
Let the corn be all one sheaf--
And the grapes be all one vine,
Ere our children's teeth are set on edge
By bitter bread and wine.
Kipling was a man who believed peoples could be distinguished between and he let that flow into his poetry as seen here.
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